• Virgin Ubiquity Remixed

    2006

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    Holiday (Main Pass)

    Funk In The Hole (Nicolay Remix)

    Third Time (Vikter Duplaix Mix)

    What’s The T? (Kings Of Soul Feelin Soul Mix)

    Sugar (Joey Negro Club Mix) Vocal

    Kwajilori (King Britt Scuba Mix)

    Searching (Yoruba Suite)

    Liquid Love (Aloe Blacc Remix)

    I Am Your Mind (Mr V Part2)

    Third Time (Jeremy’s All New Late Night Slide)

    Touch Of Class (Matthew Herbert Touch Of Ass Mix)

    Mystic Voyage (DJ Marky & XRS Remix)

    Brand New Feeling (Phil Asher Main Mix)

    I Am Your Mind (Pepe Bradock Main Mix)

    Tarzan (Yoruba Soul Mix)

    Funk In The Hole (Platinum Pied Pipers Remix)

    Kwajilori (Sir Piers Mix)

    Touch Of Class (Sean P Classic Touch Mix)

    Mystic Voyage (Jeremy & Simbad's Crosstown Mix)

    Tarzan (Âme Remix)

    Holiday (DJ Spinna Vocal Remix)

    I Am Your Mind (Basement Jaxx Summer Classix Mix)

    Roy Ayers. Originator. Innovator. Pioneer. Icon. One of the great jazz-funk heroes of the 20th century, said to be the second most sampled artist in the world, Roy Ayers is still going fresh and strong in the 21st century. After four decades of music-making among such greats as Herbie Hancock, Donald Byrd, Stevie Wonder, Lonnie Liston Smith and Fela Kuti, 65 year old Roy is today rightly regarded as the granddaddy of jazz-funk by a new generation of fans and collaborators, from Erykah Badu and Mary J Blige to Puff Daddy and Masters at Work.

    “Virgin Ubiquity Remixed” is the most ambitious project yet. Uniting leading remixers from across the hip hop, drum n bass, nu-jazz and house spectrum in a set of complete rework newly discovered gems and soon to be classic jams. It is a perfect reflection both of Roy’s prolific musicianship and of his huge adaptability and influence. The album shows how Roy’s sound has inspired and moulded new sonic forms from deep house to drum n bass to R&B and acid jazz. It also joins Roy himself in a celebration of the many directions in which his sound has travelled in recent years, especially through new Ayers-sampled productions which are constantly turning fresh listeners on to Roy’s early classics.

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