• The Beat Generation 10th Anniversary Single Collection

    2011

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    Pause (12" Version)

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    Pause (clean version)

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    Pause (Instrumental)

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    Pause (TV Track)

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    Pause (Acapella)

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    Track Feat. Phat Kat (clean version)

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    Track Feat. Phat Kat (dirty version)

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    Track Feat. Phat Kat (Instrumental)

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    Nothin' Lesser (Instrumental)

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    Nothin' Lesser (TV Track)

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    Nothin' Lesser (Accapella)

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    Give It To Y'all (featuring Roc Marciano & Trife)

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    Give It To Y'all (clean)

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    Give It To Y'all (Main Vocal +1.2.)

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    Give It To Y'all (TV Track)

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    Give It To Y'all (Instrumental)

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    I Am (Main Version)

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    I Am (Clean Version)

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    I Am (Instrumental)

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    Lay Me Down (Instrumental)

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    Hummin' (Roy Vibe and Scat Version)

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    Hummin' (Alternative Main Mix)

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    Hummin'

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    Hummin' (TV Track)

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    Hummin' (Instrumental)

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    NY, NY

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    For Da Love of Da Game

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    For Da Love of Da Game (Radio)

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    For Da Love of Da Game (Instrumental)

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    Are You Ready? (featuring Slum Village)

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    Da Rebirth feat. CY Young

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    Da Rebirth (TV Version)

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    Da Rebirth (Instrumental)

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    Branded feat. Pauly Yamz

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    Branded (Instrumental)

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    Mind Frame feat. Freddie Foxxx (Main Pass)

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    Back On Da Block feat. CL Smooth (E.Q. Bonus Rmx)

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    Back On Da Block feat. CL Smooth (E.Q. Bonus Rmx)

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    Back On Da Block feat. CL Smooth (Instrumental)

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    Back On Da Block feat. CL Smooth (Pete's Block Party Dub)

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    Rock Wit U (Yoruba Soul Mix)

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    Rock Wit U Feat. Erro (Yoruba Soul Mixes: Dub)

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    For Da Love of Da Game feat. Raheem, V and Erro (DJ Jazzy Jeff Remix)

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    For Da Love Of Da Game (DJ Jazzy Jeff Remix) - TV Version

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    Come Get It (Where You At) feat. Elzhi

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    Come Get It (Where You At) feat. Elzhi (Clean)

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    Come Get It (Where You At) Instrumental

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    Come Get It (Where You At) (Acapella Clean)

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    Over the course of nine albums in the 2000s for their producer-led Beat Generation series, BBE adopted an unusual stance. “Do what you want,” their artists were told for probably the first time in their careers. The label’s enormously liberal approach was the antithesis of stiff major record label A&R practices, their forward thinking rewarded handsomely by a truly diverse set of albums from some of the world’s most capable hip-hop architects. Among those picked to contribute were Golden Era greats (Marley Marl; Jazzy Jeff); acclaimed DJ/producers whose work habitually blurred genre lines (King Britt; DJ Spinna; Madlib); and those whose regular gigs didn’t afford them the creative freedom they craved (Will.i.am).

    No-one made better use of the brief than Jay Dee, whose inspired Welcome 2 Detroit showed that despite all the techno and soul that seeped into and out of the Motor City there was still room to be influenced by the Carpenters and Sergio Mendes. Pete Rock, the hip-hop producer’s producer, filled his rapturously received PeteStrumentals disc with classic sample-led tracks packed with drama and finesse. DJ Jazzy Jeff’s The Magnificent celebrated the slew of Philly talent at his A Touch Of Jazz studios, Jill Scott guesting on an exalted Roy Ayers cover in finale. Then there was veteran cellist and arranger Larry Gold, on hiatus from adding strings to hits like Brandy and Monica’s ‘The Boy Is Mine’, who called upon fellow seasoned pros McFadden and Whitehead and Bunny Sigler for his piece of the puzzle.

    Press play and give it up for the Beat Generation.

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